Lea Bouton
4 Panneaux , 2025
Fine black felt pen, promarker, coloured pencil on Japanese Paper
25 x 35.3 cm (b4)
Further images
-
(View a larger image of thumbnail 1
)
-
(View a larger image of thumbnail 2
)
-
(View a larger image of thumbnail 3
)
-
(View a larger image of thumbnail 4
)
-
(View a larger image of thumbnail 5
)
-
(View a larger image of thumbnail 6
)
-
(View a larger image of thumbnail 7
)
-
(View a larger image of thumbnail 8
)
-
(View a larger image of thumbnail 9
)
-
(View a larger image of thumbnail 10
)
-
(View a larger image of thumbnail 11
)
-
(View a larger image of thumbnail 12
)
-
(View a larger image of thumbnail 13
)
-
(View a larger image of thumbnail 14
)
Léa Bouton works stage dreamlike scenes in suspension, poised between past and future, where gestures and objects carry both ritual weight and speculative strangeness. 4 Panneaux (2025) unfolds as a...
Léa Bouton works stage dreamlike scenes in suspension, poised between past and future, where gestures and objects carry both ritual weight and speculative strangeness. 4 Panneaux (2025) unfolds as a theatrical tableau: a fragmented environment of hybrid architectures and enigmatic relics, inhabited by a figure expelling inky matter that pools at her feet. At once macabre and fantastical, the drawing evokes funerary rites, digital landscapes, and the porous boundary between body and artifact. Bouton’s practice is rooted in tension, between scales (microscopic, human, cosmic), between science and mysticism, between permanence and transience. Her drawings become portals into universes where mourning, memory, and imagination intertwine, asking us to linger in spaces where decay and invention co-exist.
1
of
66