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POLYPHONIC VIEWS: Group Show - Funkhaus

Past Shows exhibition
12 September - 5 October 2025
Open a larger version of the following image in a popup: Marcus Nelson, Contained I+II (Composite V), 2021-2025
Open a larger version of the following image in a popup: Marcus Nelson, Contained I+II (Composite V), 2021-2025
Open a larger version of the following image in a popup: Marcus Nelson, Contained I+II (Composite V), 2021-2025
Open a larger version of the following image in a popup: Marcus Nelson, Contained I+II (Composite V), 2021-2025
Open a larger version of the following image in a popup: Marcus Nelson, Contained I+II (Composite V), 2021-2025
Open a larger version of the following image in a popup: Marcus Nelson, Contained I+II (Composite V), 2021-2025

Marcus Nelson

Contained I+II (Composite V), 2021-2025
Found security doors, paper, photographic print, newspaper,
210 x 110 cm per door

Further images

  • (View a larger image of thumbnail 1 ) Lea Bouton, 4 Panneaux , 2025
  • (View a larger image of thumbnail 2 ) Lea Bouton, 4 Panneaux , 2025
  • (View a larger image of thumbnail 3 ) Lea Bouton, 4 Panneaux , 2025
  • (View a larger image of thumbnail 4 ) Lea Bouton, 4 Panneaux , 2025
  • (View a larger image of thumbnail 5 ) Lea Bouton, 4 Panneaux , 2025
  • (View a larger image of thumbnail 6 ) Lea Bouton, 4 Panneaux , 2025
This work presents a collection of drawings, notes, timesheets, and reference photography from Marcus Nelson’s studio archive from 2021–25. Sealed beneath the reinforced glass of two security doors – found...
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This work presents a collection of drawings, notes, timesheets, and reference photography from Marcus Nelson’s studio archive from 2021–25. Sealed beneath the reinforced glass of two security doors – found on the streets of Berlin – Contained (I,II), documents the process of making, by preserving the ephemera generated from a restless mind. Moments of violence, vulnerability, physical performance and emotional release appear and disappear under the visual noise of its entirety, all while trapped within the negative space of the object’s facade. In this work, Nelson asks how certain urban structures might support or inhibit our sense of self and what we choose to present to the external world
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